Last year, the music industry came under fire for an ongoing lack of meaningful representation for women. What’s different in 2019? On this episode we hear about efforts toward greater diversity and inclusion from leaders across the industry, including Michele Ballantyne (RIAA), Richard Burgess (A2IM), and Terri Winston (WAM).
The Music Modernization Act may have unanimously passed the House and garnered support from songwriters, publishers, and DSPs, but the bill has faced a few obstacles ahead of November. On this episode, we check in with key players and look ahead at how the MMA could change our business. Featured guests include Blake Morgan (IRespectMusic), David Israelite (NMPA), Richard Burgess (A2IM), and Daryl Friedman (NARAS).
How global are the issues that affect the U.S. music industry? On this episode, Portia sits on a panel moderated by Jay Mogis (QUT/Nightlife) with Lynne Small (PPCA), Richard Burgess (A2IM), Paul Pacifico (AIM), Dylan Pellett (IMNZ) and Matt Rogers (UNFD) to discuss key developments in the copyright environment affecting the indies both here and in international markets. The group explores a diverse range of topics including: safe harbour and why you should care; EU copyright directive – what does that even mean?; recognition of sound recordings in the US – will it ever happen?; Joint collection societies and more. This panel was recorded at AIR’s Indie-Con in Australia.
What does it mean when an artist or label calls itself independent? Instead of defining independence as “not major,” this episode discusses what independence in music really means. Portia travels to Australia for an Indie-Con panel with Matthew Rogers (UNFD/WIN Council Member), Sebastian Chase (MGM), Chris Maund (Mushroom Group of Labels), Merida Sussex (Stolen Recordings), and Guy Blackman (Chapter Music). Then, she speaks with A2IM CEO Richard Burgess about his recent Billboard article responding to their definition of “Indie Power Players.”
Last year, we released 37 episodes on a wide variety of topics in music. From rights to royalties, we covered subjects important to artists and those who support them. On this episode, we look back at the major issues we reported on in 2016 and those who they impacted most. We hear from musician Melissa Ferrick about the Spotify lawsuits that started the year, then A2IM’s Richard Burgess gives us the scoop on the Digital Millennium Copyright Act and how it’s creating problems for the industry. David Israelite of the NMPA clearly breaks down how the Department of Justice has handled the consent decrees and what that means for creators.
The idea of large companies collecting information about you for free feels shady, especially when they use that data for profit. Most big tech businesses collect personal information in some fashion, including your favorite streaming services. On one hand, it helps them tailor your playlists and lets artists know who’s listening to them. On the other, data mining can invade listeners’ privacy for profit.