Perennially popular at music business conferences, “demo” listening roundtables can be extremely helpful and informative for artists, labels, and others, since you get direct and immediate feedback from gatekeepers within the industry. On this episode, we asked three Portland professionals to bring in a new favorite track of theirs, that they’ve received as a solicited […]
People often say that if you make good music, the fans will follow. So does good music rise to the top? And what is the top? On this episode, we talk with Jes Skolnik, managing editor at Bandcamp. Through Bandcamp Daily, Jes makes a point to highlight lesser-known artists who might be overlooked by outlets like Pitchfork or Rolling Stone. We also hear from Public Display PR’s Sierra Haager, whose goal through her boutique PR agency is to get high-profile coverage for indie bands.
Like many creative cities, Portland is growing rapidly, but is the vibrant music scene that bolstered its reputation benefiting? The city is known as one of the nation’s hottest music spots, so how can we make sure that its beloved music industry thrives as Portland changes?
A band has recorded some music — they’ve even set a date for their album release — but how do they get people to listen to it? Making press contacts and getting the right information to the right people can be difficult when you’re not a public relations expert. We’re joined by PR pros Sierra Haager (Public Display PR, bed.) and Chris Hnat (Grandstand Media & Management) who break down media relations do’s and don’t’s for artists. We also get advice from the editorial side with Chris Young (Vortex Music Magazine) and Casey Jarman (Mississippi Studios, fmr. Willamette Week).