What is the role of A&R in 2019? We break down the ins and outs of signing new (and established) talent with Katie Garcia, who oversees A&R for Secretly Group (Dead Oceans, Jagjaguwar, & Secretly Canadian) as well as her own label, Bayonet. We also look back at our conversation with A&R great Tom Whalley, whose signees have included everyone from Bonnie Raitt to Tupac. Plus, hear from RCA executive Tunji Balogun about how data informs A&R today.
From AI to to the EP, we discuss trends and innovation in the music industry. First, journalist Cherie Hu shares a few music tech developments to look out for in 2019. Then, Jon Chattman explains his recent article "How the EP Killed the LP Star." Finally, Eric "Skippy" Mueller of Pirate’s Press updates us on what’s happening in vinyl.
One of the least talked about and perhaps most important topics for musicians to understand is copyright. What is it, how do you copyright your music, and what’s the point of doing so? On this episode, we cover the basics of copyright with IP lawyer Peter Vaughan Shaver and musician Simon Tam. We also hear from Jessica Sobhraj, CEO of Cosynd, a platform created for creators to protect their work.
In 1971, Bruce Iglauer founded Chicago-based indie blues label Alligator Records. For the last 48 years, Bruce and his team have released hundreds of albums by some of the world’s most celebrated contemporary blues artists. On this episode, Bruce recounts five decades in the business and gives us a taste of what’s next for Alligator. Cutting edge talent Selwyn Birchwood also joins us to talk about his work with Alligator and more.
In our latest installment of the Get Paid series (in collaboration with Vortex Music Magazine), artists and business people share their real-life experiences and advice for booking, promoting and touring.
From streaming to the inner-workings of indie labels, hear our most popular interviews of 2018 as determined by you, our listeners. In this episode, you can hear Liz Pelly speak on “The Problem with Muzak,” Rob Jones’ spiel on the history of Jealous Butcher Records, Jen Cloher’s financial advice on starting your own record label and keeping it local, and what Justin Schmidt has to say about musicians looking to work in the industry without a record label.