While little attention was given by the U.S. population at large, the creative class, and musicians in particular, paid close attention to the wars waged over the EU’s new copyright directive, known colloquially as Article 13. Although is has yet to be ratified, and passed into law by its member states, Article 13 has the potential to close the “safe harbor” loophole for UGC giants like YouTube, Soundcloud, etc., which would make them wholly responsible, and liable, for all previously copyrighted material published on their platforms.
Perennially popular at music business conferences, “demo” listening roundtables can be extremely helpful and informative for artists, labels, and others, since you get direct and immediate feedback from gatekeepers within the industry. On this episode, we asked three Portland professionals to bring in a new favorite track of theirs, that they’ve received as a solicited […]
As smart speakers, like the Amazon Dot and Google Home, take up residence in more homes across the U.S., kids’ music has seen an unexpected uptick in its overall consumption, mostly due to the agency imparted to children via voice activated technologies. On this episode, we explore this trend with the president of Kidz Bop, Vic Zaraya, along with Grammy nominated singer/songwriter, Lori Henriquez, and senior Wired staff writer, Adrienne So.
In the final installment of the Get Paid series (in collaboration with Vortex Music Magazine), Portia discusses sync licensing and brand partnerships with Brett Byrd of CD Baby, Marissa Hernandez of Marmoset, and Scott Wagner of WagsWorks. Do you want to know if your music sync-able, or how to make sure that music supervisors can find your music amongst thousands of songs when a request comes in? Listen in, and then go get paid!
The landscape of independent distribution is rapidly changing. As more independent labels move toward truly independent distribution models, their market share becomes clearer. On this episode, we talk to Chris Welz of Secretly Distribution, Kevin Breuner of CD Baby, and Jim Mahoney of Merlin.
Last year, the music industry came under fire for an ongoing lack of meaningful representation for women. What’s different in 2019? On this episode we hear about efforts toward greater diversity and inclusion from leaders across the industry, including Michele Ballantyne (RIAA), Richard Burgess (A2IM), and Terri Winston (WAM).