With more and more venues shutting down due to rising costs in metropolitan areas, some musicians are looking towards non-traditional venues, and people’s homes, as a means to an end. On this episode, we talk with the founder of the Undiscovered Music Network, a service that pairs musicians with willing home concert hosts, and Amber Sweeney, a singer/songwriter who’s recently done several house shows as part of her tour route. Rounding out the episode, we talk about the non-traditional venue host, So Far, with writer Emma Silvers, who wrote an exposé on the business’s rather unscrupulous practices for KQED.
The world has changed quite a bit since the Pacific NW queercore outfit Team Dresch released their first full-length album 25 years ago. There was no internet, there weren’t any openly gay people running for president, and there weren’t nearly as many corporations sponsoring pride festivals. While the band never truly broke-up, they have returned to the public eye after announcing a few reissues and a short U.S. tour schedule. As If that wasn’t enough to re-establish their presence, they’ve also recorded some new material for their new singles comp, which you can hear in this episode!
Given the success of films that have been adapted from comic books and graphic novels, it makes sense that other industries would start adopting them, too, and Herø Records is doing just that. Blending the worlds of music and graphic art into a “trans-media” experience, Herø Records, has released several singles, EPs and more that are all tied to comics in some shape or fashion. On this episode, we speak with the CEO (Matt Medney) and Creative Director (Pete Russo) of Herø Records about their vision, and Herø Records artist, Skela.
Thousands of hours of content are uploaded to sites like YouTube, SoundCloud, TikTok, Facebook, etc. every minute, and a fair amount of it contains unlicensed music. Technologies like YouTube’s “Content ID” system can help rights holders find offending usages once they’re uploaded, but not all sites have that kind of functionality, and certain uses are so short that the current tech can’t find them. Thankfully, there are several third party services stepping into the market to fill this critical gap in digital attribution and rights management, and we talk to three of them on this episode.
Record labels, music supervisors, management companies, et. al. deal with high volumes of music submissions on a daily basis, and until recently, managing those files (and their requisite metadata) hasn’t been easy. Enter DISCO, a cloud based storage solution for music professionals, that combines the best parts of iTunes, Soundcloud, Dropbox and MailChimp all in one easy to use browser based application. On this episode, we talk to Karl Richter of Level Two Music about the development of DISCO, and then we speak with music supervisor Whitney Pilzer and Pete Beck of Believe Music about how the platform has transformed their day to day business operations.
While little attention was given by the U.S. population at large, the creative class, and musicians in particular, paid close attention to the wars waged over the EU’s new copyright directive, known colloquially as Article 13. Although is has yet to be ratified, and passed into law by its member states, Article 13 has the potential to close the “safe harbor” loophole for UGC giants like YouTube, Soundcloud, etc., which would make them wholly responsible, and liable, for all previously copyrighted material published on their platforms.